"Her natural charm!" Mrs. Gereth could barely articulate. Mrs. Gereth drank off her second cup. "And you're not afraid now?"!

"No, Fleda, I don't understand you," said Mrs. Gereth, finally facing her again. "I don't understand you at all, and it's as if you and Owen were of quite another race and another flesh. You make me feel very old-fashioned and simple and bad. But you must take me as I am, since you take so much else with me!" She spoke now with the drop of her resentment, with a dry and weary calm. "It would have been better for me if I had never known you," she pursued, "and certainly better if I hadn't taken such an extraordinary fancy to you. But that too was inevitable: everything, I suppose, is inevitable. It was all my own doing—you didn't run after me: I pounced on you and caught you up. You're a stiff little beggar, in spite of your pretty manners: yes, you're hideously misleading. I hope you feel how handsome it is of me to recognize the independence of your character. It was your clever sympathy that did it—your extraordinary feeling for those accursed vanities. You were sharper about them than any one I had ever known, and that was a thing I simply couldn't resist. Well," the poor lady concluded after a pause, "you see where it has landed us!" Fleda wondered. "And did you remember the little letter that, with your hands tied, you still succeeded in writing to him?"

Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more. "But she'll only have been here a few minutes. What sort of a visit is that?" Fleda cried. Fleda had stood clutching the knob of Maggie's little painted stair-rail; she took, on the stairs, a step backward. "Why then doesn't she prove it in the only clear way?"